Souleymane “Solo” Badolo is a Brooklyn-based choreographer and dancer born in Ouagadougou, Burkina Faso. He started his professional career as a dancer for the DAMA, a traditional African dance company. In 1993, he founded his own Burkina Faso-based troupe, Kongo Ba Téria, which fuses traditional African dances with western contemporary dance and continues to tour internationally. Solo has danced with world-renowned contemporary African dance company Salia ni Seydou, worked with French choreographers Elsa Wolliaston and Mathilde Monnier, and performed with the National Ballet of Burkina. He and Kongo Ba Téria are featured in the widely-screened documentary Movement (R)evolution Africa which documents the continent’s emergent experimental dance scene. Since moving to New York City in 2009, Badolo has created a number of solo and small ensemble projects commissioned and presented by Danspace, New York Live Arts, Dance New Amsterdam, Harlem Stage, the 92nd Street Y, the Museum of Art & Design, River to River Festival (R2R), and BAM. He has collaborated with Nora Chipaumire, Ralph Lemon, Reggie Wilson, and Jawole Willa Jo Zollar of Urban Bush Women. His ongoing research in Africa has been supported by The Suitcase Fund of New York Live Arts. Mr. Badolo was nominated for a 2011 Bessie Award (New York Dance & Performance Award) as Outstanding Emerging Choreographer and in 2012, received the Juried Bessie Award (from jurists Lar Lubovitch, Yvonne Rainer and Jawole Willa Jo Zollar). In 2015, his dance for two dancers and one percussionist, Yimbégré, was recognized with a Bessie Award for Outstanding Production. Solo is the recipient of Wesleyan University’s 2014 Mariam McGlone Emerging Choreographer Award and the 2015 Harkness Foundation Dance Residency at BAM Fisher. He graduated from Bennington College with an MFA in June 2013. Since that time, he has been a guest instructor at The New School, Bennington College, Williams College, and Bard College. He has also taught traditional and contemporary forms to children and teens in Burkina Faso.
Hannah Fox is an international performer, choreographer and director. She has been a full time faculty member of the Dance and Theatre department at Manhattanville College since 2003. She has recently left academia to teach and perform locally in the Hudson Valley where she resides with her family. Hannah has a BA in Dance and Psychology from University of Oregon, and an MA from NYU Gallatin School where she focused her thesis on intersection between dance, text and embodying stories. She was a teaching artist in New York City schools for many years and directed a teenage girl dancetheatre company at the 92 St. Y (an Eve Ensler project). Hannah is the founder of Big Apple Playback Theatre in NYC and a certified yoga teacher. She is thrilled to join the faculty at Barefoot!
Charlotte Gibbons is a Columbia County based movement artist and teacher, most recently presented by AUNTS at Mount Tremper Arts. She made work and danced in NYC and has self-produced her own work as well as being presented by AUNTS, The Kitchen, Dixon Place, Danspace Project and Movement Research at the Judson Church. While in New York City, Charlotte had the pleasure of dancing with Daria Fain, K.J. Holmes, Jennifer Monson, Anna Sperber and Nina Winthrop, and she was a 2009 Movement Research Artist in Residence. She has a BFA from the Conservatory of Dance at SUNY Purchase. In 2010, Charlotte traveled to China and focused on studies of Pure Yang Gong Fu and Taoism. She now teaches movement and qi gong in the Hudson Valley.
Her dancing life has taught her how to navigate the material world with kinesthetic awareness and a patient grasp of personal possibility. Charlotte believes that cultivating a relationship to one’s person is a lifelong task that must be approached from every direction.
Hillary Jackson received her early training at the Princeton Ballet School and Eliot Feld’s New Ballet School (now Ballet Tech). She was a National Foundation for Advancement in the Arts (YoungArts) awardee in ballet and danced for a season with the Milwaukee Ballet as a scholarship trainee with the company. Hillary took a hiatus from dancing to explore other interests and worked for several years in theatre production, as well as in the music business at labels focusing on singer/songwriters and contemporary composers. She returned to dance in the early 2000s when she discovered Simonson Technique at Dance Space Center in NYC. There she studied with master teacher Diane McCarthy and began performing Ms. McCarthy’s choreographic work in 2005. She has studied Laban Movement Analysis at the Laban Bartenieff Institute of Movement Studies and the Simonson Method of Teacher Training with Lynn Simonson. Hillary currently works with former Metropolitan Opera ballerina, Victoria Rinaldi, to bring high-quality ballet training to children in the Catskill/Hunter region of New York.
Jessie Levey is the founder and director of Barefoot Dance Center. She is a contemporary post-modern dancer and has been teaching for thirty years. Her training is grounded in Cunningham, Limón and Alexander techniques, as well as yoga and improvisation. In addition to making her own work, she has performed with choreographers, Jill Ann Schwartz, Dani Nikas, Risa Jaroslow and Mel Wong among others throughout the New York Metropolitan area, Wisconsin, and the Hudson Valley.
Jessie approaches training young dancers as she does adults- through the practice of contemporary modern technique, somatic understanding, exploration, critical inquiry, building dances and reflection. In addition to teaching classes at Barefoot, she also directs Choreolab Performance Workshop and Barefoot Dance Company, and brings dance into surrounding schools as a dance artist-in-residence. Through her work at Barefoot, Jessie developed a syllabus which aims to empower girls through the platform of dance. A discussion of this work was aired on NPR’s 51%. Jessie is the recipient of the 2015-17 Jubilation Foundation Fellowship for excellence in teaching, which you may read about here, and holds an MFA in Dance from The Peck School of the Arts at University of Wisconsin-Milwaukee. She is married, has two grown children and is a certified childbirth educator. She is currently studying to become a certified yoga instructor.
Harriett Meyer is a dancer, dance-maker, and educator based in Kingston, NY. She received her Bachelor of Arts in Dance from Bard College in 2012, and her Master of Arts in Teaching from the same in 2016. She has performed and shown work at Danspace, Turtle Bay Music School, the Bowery Poetry Club, Dixon Place, Brooklyn Arts Exchange, and the Galapagos Arts Space in New York City, at the Peace School in Ludhiana, India, and at Bard College and Bennington College. Now immersed in literacy education, Harriett is continuing to explore dance and pedagogy simultaneously.
Leslie Partridge Sachs, born and raised on Manhattan’s upper west side, is now a recent resident of Beacon NY. Leslie has spent the majority of her life as a dance artist, teacher, performer and choreographer in New York City. Her training and performance began with New York City Ballet and American Ballet Theater. With her foundations in classical movement she entered the contemporary dance world through study of a wide variety of modern dance techniques. She is an alumna of the High School of Performing Arts, Bard College and the University of Washington, the latter where she received her MFA in dance. Leslie has held positions at Purchase College Conservatory for Dance, Balettakademien in Stockholm, University of Massachusetts, Dance Space Center in NYC, to name a few. Her work has been presented in venues across the US and Europe. She is married to Sun Sachs and has two daughters, 6 cats and 2 dogs.